Free reverb VSTs used to be significantly less capable than their commercial counterparts. They were notorious for sounding artificial and metallic or, simply put, much less pleasing than the paid plugins and hardware units. Luckily, things have drastically changed for the better in recent years with the release of plugins like Orilriver, Dragonfly Reverb, MuVerb, Cloud Seed, and others.
Loosely mimicking the sound of classic reverb units by Lexicon and Eventide, OldSkoolVerb is a decent freeware alternative to plugins like UltraReverb ($199), PSP 2445 EMT ($149), TSAR-1R ($99), BREVERB 2 ($169), and others. An extended version of the plugin called OldSkoolVerb Plus (49.95) is also available, adding a powerful spatialization module to the feature set of the freeware edition.
Cloud Seed is the way to go if you need a huge 80s-style reverb effect. You can think of it as a freeware alternative to commercial plugins like Valhalla Shimmer ($50) or even Eventide Blackhole ($199).
As you can see, there are many types of audio restoration plugins available nowadays. Some are suited for a specific purpose, whereas others are suited for another. So, the best way to select one is to recognize what you need first.
In late 1994, Microsoft was ready to release Windows 95, its next operating system. An important factor in the value consumers would place on it was the programs that would be able to run on it. Microsoft employee Alex St. John had been in discussions with various game developers asking how likely they would be to bring their MS-DOS games to Windows 95, and found the responses mostly negative; programmers had found that the Windows environment did not provide the necessary features which were available under MS-DOS using BIOS routines or direct hardware access. There were also strong fears of compatibility; a notable case of this was from Disney's Animated Storybook: The Lion King which was based on the WinG programming interface. Due to numerous incompatible graphics drivers from new Compaq computers that were not tested with the WinG interface which came bundled with the game, it crashed so frequently on many desktop systems that parents had flooded Disney's call-in help lines.
A favourite emulation of the classic Pultec EQ we mentioned earlier. So many companies have done their own Pultec emulations, you could write a whole separate list. Other totally worthy mentions are the Nomad Factory Pulse-Tec EQ set, the EQP-1A that comes as part of the IK Multimedia T-rackS bundles, and not forgetting the free Leftover Lasagne Pushtec 5+1A.
Available for Mac and PC users of a UAD-2 DSP Accelerator PCIe card (installed inside a PC), UAD-2 Satellite DSP Accelerator (standalone hardware units), or one of Apollo series of audio interfaces. The current lowest-budget DSP hardware option for gaining access to UA plugins is the Apollo Twin Thunderbolt Audio Interface with Realtime UAD SOLO Processing.
As ever, it would be impossible to cover every possible EQ worth mentioning, but I hope this list has given you some leads and insight into fresh plugins you might not have tried yet.
The Cyberlink Power Director 356 bundle includes the following 2 Boris Continuum Units that have been customized specifically for use with Cyberlink : BCC Film Style and BCC Stylize. Each Unit contains a suite of filters and each filter includes a set of factory installed presets. This 2 Unit bundle includes 23 unique filter effects and 146 professionally designed custom presets.
The Cyberlink Director Suite 365 bundle includes the following 4 Boris Continuum Units that have been customized specifically for use with Cyberlink : BCC FilmStyle, BCC Stylize, BCC Lights, BCC ImageRestoration. Each Unit contains a suite of filters and each filter includes a set of factory installed professionally designed presets. This 4 Unit bundle includes 45 unique filter effects and 263 professionally designed custom presets.
To further improve your workflow and get the best possible quality out of your productions, we recommend using additional plugins within Ableton Live. These are generally synthesizers and effects. With so many plugins available, it's hard to know which ones will take you further, so we've put together an overview to help you customize Ableton Live to best suit your needs. We've taken into account how widespread the plugins are and how many other producers use them professionally, as well as the strengths and weaknesses of the plugins. The following overview will help you get to know the best plug-ins for Ableton Live and expand your DAW to take your productions to the next level.
Vengeance Avenger is one of the most versatile synthesizer plugins available. A total of eight oscillators offer almost unlimited possibilities to shape the sound. All common waveforms can be selected, oscillation shapes can be freely drawn and your own samples can be layered. Besides numerous effects, dedicated filter modules, arpeggiators and endless modulation possibilities, Avenger also offers a drum sequencing function for up to 16 bars. Avenger combines the classic wavetable synthesizer with the sampler in one plugin and will satisfy even the highest demands in sound creation.
Besides more or less common plugins like compressors, equalizers, delays or reverbs, there are also several more unusual effects, which can be very interesting despite or because of their peculiarities. Trash 2 is the reincarnation of the already fantastic first distortion suite by iZotope. On the straightforward interface, you have direct access to six individual effect instances or parameters of the sound processing: Filter 1, Trash, Filter 2, Convolve, Dynamics and Delay. Within the individual instances, the sound shaping is done in the usual excellent iZotope quality and quite intuitive. For example, sounds can be easily distorted in no time to make them thicker and warmer, but they can also be completely destroyed. The sound control of the individual instances works so well that you can place Trash 2 in your effects chain as an equalizer or pure dynamic plugin without distorting it. The plugin is rounded off by more than 300 usable presets that cover every degree of distortion and offer more than just good starting points for your sound creation.
If you love the sound of the classic Pultec equalizers EQP-1A and MEQ-5, but prefer not to go through a long search to get one of the rare tube units at a horrendous price, the Waves PuigTec EQs bundle is a perfect choice. Here the outboard equipment's iconic sound has been squeezed into two plugins that offer specific features. These include simultaneous raising and lowering of a frequency range to create resonating peaks with the EQP-1A or the precise midrange shaping of the MEQ-5, allowing you to put each instrument in its place. Waves achieved this ambitious project by digitally emulating the original personal studio equipment of Jack Joseph Puig, one of the music industry's most award-winning sound engineers and producers, down to the smallest detail.
Timeless 2 is a digitally emulated tape echo plugin that offers interesting features beyond the usual delay function. Besides two delay lines FabFilter has integrated two high-quality multimode filters in the layout of the plugin. These, in combination with phase inversion, adjustable feedback and cross-feedback, can also provide chorus, flanger and phase effects and thus guarantee great modulation possibilities. The handling and the sound are, of course, on the highest standard as known from FabFilter. Top equipped and with sound of the highest level, Timeless 2 is one of the best tape delay plugins.
There are countless great compressor plugins that have catapulted the iconic 1176 sound into the fully digital modern era. The PSP FETpressor is not just one of many but offers a tremendous sounding emulation of the analog hardware and some authentic new features that make it much more flexible than the original. The attack time can be adjusted much shorter than with the analog gear, which improves the already fast response even more. The ability to set longer release times ensures unobtrusive and smooth compression, which, if desired, prevents significant pumping. A blend control knob for easy creation of parallel compression, a high-pass filter with sidechain function and a stereo linking option complete this decent plugin and make it a real recommendation among the 1176 style plugins.
FabFilter Pro-Q3 is a multifunctional parametric equalizer plugin that offers up to 24 bands with nine filter types bell, notch, high- and low-shelf, high- and low-cut, band pass, tilt shelf, flat tilt. It also includes no less than three latency modes, dynamic eqQ function and numerous useful features like a highly useful spectrum analyzer or an intelligent networking of multiple Pro-Q3 instances. The logical structure of the user interface and the great workflow make all imaginable surgical and creative interventions of eqing possible in no time at all. The equalizer always sounds pleasant and never mechanical and impresses with a straightforward handling and great visual representation. FabFilter's Pro-Q3 is undoubtedly one of the best equalizer plugins available, offering brilliant sound and almost unlimited flexibility.
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